Saturday, August 11, 2012

Sierra Master Chorale Reprises "The Armed Man"

Over the weekend of May 11-13, Davis' Vocal Art Ensemble gave three performances of an outstanding concert.  The feedback they got on that effort encouraged them to add another performance of the same concert 4 weeks later on June 9 (see article below, "How About an Extra Concert?").  Director Tracia Barbieri reports that, though she could have hoped for better publicity and a larger audience, she considers the experiment a success.

It's an issue that gives choruses something to think about.  So much effort goes into preparing for a series of concerts, and typically they take place over a single weekend -- two at most -- and then it's over, and the chorus looks ahead to the next concert series (or a needed break).  But it doesn't allow time for a buzz over the success to develop.  Even in the Internet age, word of a great concert doesn't spread fast enough.  Reviews don't get published in the media because they don't matter:  by the time a review would come out, the concert series would be over, and there would be nothing for the public to act on.

Yet committing to repeating a concert weeks or months after its first performance is no small decision.  The director will worry that choristers might lose their edge and forget what they worked so hard to perfect.  Arrangements for a venue can be tricky, especially if you wait to decide on extra performances until after the first run.  And publicity is an ever-present challenge.

These challenges notwithstanding, another local chorus is going down this path.  Back in May, the Sierra Master Chorale gave two performances of Karl Jenkins' "The Armed Man:  A Mass for Peace."  I thought it was a brilliant concert, and you can read my review at this link.  They sold out their Sunday afternoon performance, and nearly sold out the large Seventh-day Adventist Church in Grass Valley on the previous Thursday evening.

Now they've decided to reprise this concert on Thursday evening, September 27.  You can find the details at this link in their website.  It's a bold move, with just 7 weeks of lead time and a large venue and numerous fixed expenses.  But at the end of September, there is no competition from other choral performances, and the concert itself is a proven winner.  Furthermore, I understand that chorus members themselves are excited about the possibility of performing "The Armed Man" once more.

I have a friend who made the long drive to the church in Grass Valley on that Sunday in May, parked a half-mile away, and found no tickets left when he got to the door.  He'll be there on September 27, and so I hope, will a number of other friends, to whom I described this performance after it was over, and who wished they could have heard it.  It's called "buzz," and choruses need to find better ways to get it working in their favor.

Wednesday, August 1, 2012

Free Recording Session


Has your chorus been wanting to make a recording, but you’ve been held back by the cost?  Auburn-based Advanced Mobile Recording is looking for a small chorus that it could use to demo its service.  Here’s what they say in their website:

“Advanced Mobile Recording is offering a chance for one group/ensemble of select types to be recorded at absolutely no cost. That's right, FREE! We're looking to post up new material on our sample page so other customers can hear just how great we can reproduce anyone's performance. Not only that, but your group will be listed on the Friends of AMR page as well, along with a link to your website (if available).  All you need to do is email the sales staff with your contact information, how many members of your group and their instruments, and a link to your website (if you have one). If you are chosen, you'll be contacted by us for our free consultation and to set up a recording schedule. You'll also receive a copy of the final product, as well.  It's just that simple! Don't wait, we'd love to hear from you. We are currently looking for a 1- to 3-member group in the Jazz, Classical, African, Folk, or most any upbeat musical genres.”
 
AMR principal, Jeff Widick, clarifies that the free offer is for a 3-song demo, and the mobile recording service would be limited to the Foothills to Sacramento area.  To open the conversation, send an e-mail to sales@advancedmobilerecording.com.  The website has the same domain: www.advancedmobilerecording.com.

Friday, July 27, 2012

The Threshold Choir: Singing in Service to Others

Why do we sing?  Partly because it just feels good to express beauty and artistry through our God-given talent.  And maybe there’s something even more fundamental going on, maybe making or at least appreciating music goes to the heart of what it means to be human.

So why do we sing in a chorus?  Of course, there’s the camaraderie and the appreciation of harmony and the satisfaction of creating pleasing sounds through joint effort.  But for most of us, it wouldn’t mean nearly as much without an audience.  Connecting with listeners on an emotional level is one of the great satisfactions of singing in a chorus.

But what if our choral singing was meeting a profound need of our listeners, a need for comfort, and reassurance, and relief from pain, and maybe even healing?  That would be something else.

And that something else is the mission of a very different kind of choir, the Threshold Choir.  It was initially the project of one woman, Kate Munger, who realized that singing at the bedside of those who were seriously ill or even dying could be a transformative experience, not only for the patient, but for family, caregivers, and the singers themselves.  She gathered the first Threshold Choir in El Cerrito, CA in 2000, and today there are 100 chapters worldwide, populated almost exclusively by women, including three chapters in the greater Sacramento area:  Davis, Woodland, and Placerville.  Their stated goal is “to bring ease and comfort to those at the thresholds of living and dying.”

These choirs rehearse biweekly, working on a fairly standard repertoire, some of which has been composed by the members themselves.  The songs are not religious, but they are nonetheless spiritual, and their only objective is to bring peace and comfort through gentle singing in harmony.  When they are invited to sing at a bedside, it is generally two to four singers, and the session typically runs about 20 minutes.  You can get the full picture in the Threshold Choir website at www.thresholdchoir.org.

There will be a special event tomorrow, Saturday, July 28, 2012 from 10 a.m. till 3 p.m.  It will feature Kate Munger conducting a day of singing for women who want to know more about the Threshold Choir concept.  It is sponsored by the Davis Threshold Choir in the hope that a new choir might be formed to help meet the needs of the greater Sacramento area.  The event will be held at the Fair Oaks United Methodist Church (9849 Fair Oaks Blvd. in Fair Oaks), and if you’re reading this in time, you can inquire by calling Karen at 209/296-7354.  There is no charge for the event (though donations are always welcome), and a light lunch will be provided. 

If you’re a woman who is reading this after July 28 and whose heart is touched by this idea, it’s not too late to follow up.  Make the phone call, and find out the latest on chapter formation.  Or join one of the existing chapters:  their information is in the Audition Directory of the Sacramento Choral Calendar at this link:  www.sacchoralcalendar.com/Auditions.htm.  There you can find information on the rehearsal times of each choir, along with their contact information.

Wednesday, July 18, 2012

Free Singing Lessons for Women

The Sacramento Women's Chorus is presenting a 4-week series of singing lessons for women (18 years and older) conducted by Robin Richie, the director of the chorus.  They are on Monday evenings -- August 13, 20, 27 & September 10 -- from 6:30 to 7:00 p.m. at First Christian Church, 3201 Folsom Blvd., Sacramento.  Those interested are requested to RSVP via the contact form in the SWC website:  www.sacramentowomenschorus.com.  There is a $5 materials fee.

Two Viral Choral Videos

The first of these videos is a 14-minute TED talk by Eric Whitacre, describing his "virtual choir" concept, and the steps that led to his latest effort of having his "Sleep" performed by 2051 singers from 58 countries.  The talk was recorded March 2011 and posted April 2011, and the TED link is here:  http://www.ted.com/talks/lang/en/eric_whitacre_a_virtual_choir_2_000_voices_strong.html.

It was slow coming up for me, and a faster version is at this link:  http://winp.com/choirvoices/

The second video is a delightful flash mob from Spain performing the choral finale of Beethoven's Ninth Symphony.  Here's the link:  http://www.youtube.com/watch_popup?v=GBaHPND2QJg&feature=youtu.be

Monday, July 16, 2012

Guest Night at Sacramento Valley Chorus - 8/1/12

The Sacramento Valley Chorus is hosting a special Guest Night on Wednesday evening, August 1 from 6:45 to 9:45 p.m.  The location is St. Mark's Methodist Church, 2331 St. Mark's Way in Sacramento.

Quoting from the description in their website, "The award winning, high energy Sacramento Valley Chorus, a chapter of Sweet Adelines International, is a women’s singing group specializing in four-part harmony, a cappella singing in the barbershop style. We offer a wide variety of music and styles, from jazz, blues and ballads to Broadway Show tunes, complete with dazzling costumes and exciting choreography."

This fall's activities include coaching sessions with "premiere Region 12 coaches Pat LeVezu and Peggy Gram" and their fall show in October.  In addition, SVC has been invited to sing at New York City's Carnegie Hall on Memorial Day weekend in 2013.

For more information about the Sacramento Valley Chorus, follow this link.

Wednesday, July 4, 2012

American River Chorus Plays Nice With Others

The American River Chorus, the 60-member men's chorus that performs mostly in a barbershop style, is developing a reputation for collaborating with other local choruses.  Last December, their concert included the Sacramento Capitolaires, RSVP, and the Oasis Chamber Choir.  In June they joined with the Sacramento Gay Men's Chorus to give a benefit concert for Francis House.  And now their Christmas concert coming up in December at Three Stages in Folsom will include the women's chorus, Chanteuses, as guest performers.

Although it makes logistics a bit more difficult, this interesting strategy makes for a more varied program, eases the burden of preparation on each chorus, and probably ensures a larger audience.  Will this be a trend?

Monday, June 11, 2012

How About an Extra Concert?

It's interesting to notice how choral concerts in our area tend to be compressed into two narrow time frames:  (1) late April to early June and (2) late November to the weekend before Christmas.  Also, concerts, if they aren't one-time events, are limited to a single weekend and perhaps the following weekend.

The Vocal Art Ensemble has just experimented with a variation to those patterns.  They gave three outstanding concerts in Sacramento and Davis over the May 11-13 weekend.  (Click here for a review.)  Then they decided to experiment with an extra concert this past Saturday evening (June 9) in Woodland.

Director Tracia Barbieri was concerned about at least a couple of things.  How would the singers react?  Would they keep their performing edge?  And would they be able to draw an adequate audience?

Tracia reported that the chorus members didn't seem to have forgotten the material they memorized.  In fact, "a few pieces even matured and got to new levels after sitting on the shelf for a month."  Add to that the fact that members said they really enjoyed doing another performance.

The audience was perhaps a bit more modest in size than she could have hoped, mostly people who were unable to attend the earlier performances.  But then there's the fact that the concert was in Woodland and didn't benefit from the more extensive publicity of the first concert series.  These factors could perhaps help explain the audience size.  But Tracia wasn't disappointed in the audience -- by any means.  They gave two standing ovations, and most lingered for a half-hour after the concert to express their appreciation.

It makes me wonder whether a follow-up to a solid concert -- perhaps advertised from the start -- might be a way of building audience and capitalizing on the buzz that follows a truly outstanding show.

I think some people may think that an upcoming concert is "like a box of chocolates.  You never know what you're gonna get" (wisdom of Forrest Gump).  If there's less risk, we may see more patronage:  think of the long runs of theatrical productions which are reviewed at their opening -- or before.

I've heard a lot of choral concerts over the past year, and a lot of great ones.  And one thing I'm sure of is that none of them got the public support that is possible because most of them were flying pretty much under the public's radar.  And they were here and gone before word could get out about how special they really were.

Even taking account of divergence in people's musical taste, so many of these programs were wonderfully entertaining -- fully able to compete with other entertainment options.  The challenge is to get better publicity for them and break through that ever-present barrier of ignorance and inertia.  Let's get creative in tackling those challenges!

-Dick Frantzreb

Tuesday, May 29, 2012

Camerata California & The Music Man

Camerata California has a fund raiser coming up on Sunday afternoon and evening, June 10.  After drinks at 5:00, and dinner at 6:00, there will be a choral read-through of "The Music Man," and guests are invited to sing along (scores will be provided).  The all-inclusive price is $60 or two for $100, and proceeds will benefit the Camerata California's student scholarship program.  Call 916/483-1386 for more information or to reserve a place.

Folsom Gold - First Public Performance

The 9-member mixed chorus, Folsom Gold, has been incubating for the past year and will give its first public concert on Sunday afternoon, June 10 at the Mt. Olive Lutheran Church in Folsom.  The concert is titled "Cafe Cabaret" and promises a mix of music:  contemporary, patriotic, and jazz.  Directing the group is Fred Weber, founding director of the Sierra Community Chorus, which enjoyed so much success under his leadership at Sierra College in the 1990s.  There is more information about this event at this link.

Monday, May 14, 2012

Barbershop Harmony Society Contest and Convention

This is a big deal. Although I haven't yet attended one of these events, I know something about the Society and the work that goes into preparing for these contests. The standards for musicanship and showmanship in this organization are very high, and chapters work all season to refine their performance entries to the nth degree. The result is a show that is bound to be highly entertaining, with a full day of contests will involve 9 choruses and 15 quartets. The event is sponsored by the Sacramento Capitolaires.  They will be competing along with 4 other choruses covered by the Sacramento Choral Calendar:  American River Chorus, Sierranaders, Gold Rush Chorus, and Folsom Harmony Express. I've rearranged my schedule to be able to attend, and I'm anticipating a memorable day full of good music.  There is more information at this link.

Monday, April 30, 2012

Sacramento Valley Chorus Wins 2nd Place!

Congratulations to the Sacramento Valley Chorus for winning second place in the Sweet Adelines Region 12 competion last weekend!  The competition involved 14 choruses, and was held at the Grand Sierra Resort in Reno on Saturday (April 28).

I saw them perform their "package" of two songs at their "Family and Friends Night" a couple of weeks ago, and I thought they were terrific: great blend and great energy and style in their choreography.  The Bay Area Showcase Chorus (from Santa Clara), must have worked some magic to edge out the performances I saw.

Sweet Adelines chapters typically put on a free "Family and Friends Night" as a preview of their competition routines.  These highly polished and creatively choreographed numbers are tremendously entertaining.  It's an opportunity not to be missed when it comes around again next year.